Programmation
associée - dessin vidéographique
Jan-Philipp Fruehsorge
The Drawing Hub
Pour Paréidolie 2021, Jan-Philipp
Fruehsorge, qui dirige la plate-forme nomade internationale de recherche en
dessin contemporain The Drawing Hub,
propose une sélection de dessins vidéographiques intitulé Vertigo of Time
“Under the title Vertigo of time, this selection of animation films assembles artists from New Zealand, the US, Europe, Japan and Africa. The15 works set a time frame from as early as 1914 until very recent ones that have been produced in the lockdown months of the Covid-19 pandemic. We watch and witness the relativity of time, the idiosyncrasies of duration and expectation, projection and memory. We travel and dream into the shadows of the past of German expressionism, encounter narratives and topographies of half forgotten childhood sceneries. Humorous prehistoric events come to live, literally like the line that is drawn to set a dinosaur into motion. Equally alive and alluring is the imaginative power of non-objective drawing that is in the making.Time marks the exploitative routines of labour as well as it magically heals and transforms the restless individuum to find dignifying self fulfillment posing nude in front of a live drawing class.” J-P Fruehsorge.
“Under the title Vertigo of time, this selection of animation films assembles artists from New Zealand, the US, Europe, Japan and Africa. The15 works set a time frame from as early as 1914 until very recent ones that have been produced in the lockdown months of the Covid-19 pandemic. We watch and witness the relativity of time, the idiosyncrasies of duration and expectation, projection and memory. We travel and dream into the shadows of the past of German expressionism, encounter narratives and topographies of half forgotten childhood sceneries. Humorous prehistoric events come to live, literally like the line that is drawn to set a dinosaur into motion. Equally alive and alluring is the imaginative power of non-objective drawing that is in the making.Time marks the exploitative routines of labour as well as it magically heals and transforms the restless individuum to find dignifying self fulfillment posing nude in front of a live drawing class.” J-P Fruehsorge.
Programmation :
1. Len Lye | TUSALAVA, 1929, NZ — 9:00 Min
2. Marc Bauer | THE ARCHITECT, 2014, CH — 28:15 Min
3. Winsor McCay | GERTI THE DINOSAUR, 1914, US — 14:00 Min
4. Benoit Broisat,1980 | Boneville, 2004, F — 12:00 Min
5. Leo Crane | NUDE TRIUMPHANT, 2020,UK — 8:00 Min
6. Andrew Kötting | IN FAR AWAY LAND, 2019, UK — 6:00 Min
7. Geraint Evans | NOTES TO SELF: HOW TO BE AN ORNAMENTAL HERMIT, 2012,UK — 1:30 Min
8. Michelle Brand | ANY INSTANT WHATSOEVER, 2019,UK — 5:13 Min
9. Brigitta Hosea | ERASURE, 2017, UK — 3:00 Min
10. Noriku Okaku, JP/UK | THE INTERPRETER, 2015 — 6:24 Min
11. Jane Cheadle, 1979 South Africa | HOPE, 2015 — 4:20 Min
12. Chhayan Naran, Canada | MELANGE — 1:21 Min
13. Craig Stewart, UK | FLIGHTRECORDER, 2021 — 6:00 Min
︎ www.instagram.com/susidematin
1. Len Lye | TUSALAVA, 1929, NZ — 9:00 Min
2. Marc Bauer | THE ARCHITECT, 2014, CH — 28:15 Min
3. Winsor McCay | GERTI THE DINOSAUR, 1914, US — 14:00 Min
4. Benoit Broisat,1980 | Boneville, 2004, F — 12:00 Min
5. Leo Crane | NUDE TRIUMPHANT, 2020,UK — 8:00 Min
6. Andrew Kötting | IN FAR AWAY LAND, 2019, UK — 6:00 Min
7. Geraint Evans | NOTES TO SELF: HOW TO BE AN ORNAMENTAL HERMIT, 2012,UK — 1:30 Min
8. Michelle Brand | ANY INSTANT WHATSOEVER, 2019,UK — 5:13 Min
9. Brigitta Hosea | ERASURE, 2017, UK — 3:00 Min
10. Noriku Okaku, JP/UK | THE INTERPRETER, 2015 — 6:24 Min
11. Jane Cheadle, 1979 South Africa | HOPE, 2015 — 4:20 Min
12. Chhayan Naran, Canada | MELANGE — 1:21 Min
13. Craig Stewart, UK | FLIGHTRECORDER, 2021 — 6:00 Min
︎ www.instagram.com/susidematin